A story of success

Cartoni designs, manufactures and markets highly professional support hardware and systems for the motion picture and television industries.

Cartoni presents: Fluid Heads Flat base Maxima 30

From almost freewheeling to a consistent maximum drag, along with super precise starts and stops, the Maxima 30 offers an unprecedented quality of movement in a compact fluid head.

The Maxima 30 fluid head is designed for the latest Digital Cinematography cameras with a payload capacity from 3 kg (7 lbs) to 40 kg (88 lbs).

Cartoni patented flawless counterbalance, combined with the patented “Planetary” fluid mechanism make the Maxima 30 the ideal support for todays’ sophisticated cinematographers, seeking a fluid head for perfectly smooth operation.

From almost freewheeling to a consistent maximum drag, along with super precise starts and stops, the Maxima 30 offers an unprecedented quality of movement in a compact fluid head.

Key features: +/- 90° tilt range - Flat Mitchell base - Continuous fluid drag and continuous counterbalance - Perfect balance at any tilt angle - Ergonomic brake levers and operating knobs - Horizontal lock - Large quick release, side-load sliding camera plate - Digital readouts and illuminated spirit level - Telescopic pan bar and short front pan bar

Constant innovation has ensured the company’s success. CARTONI owns and uses 36 different patents on Fluid Action and Counterbalance Systems With a variety of 23 different fluid heads calibrated in capacity and performance for every shooting need, Cartoni offers the widest range of fluid camera support heads on the market.

W ildlife documentary from Grizzly Creek Films, Wildpath and Appian Way underscores the plight of the endangered cat native to Florida’s Everglades ( Cartoni Focus 22 ) Danny Schmidt is an award-winning director, producer and cinematographer whose work in wildlife documentaries has taken him to the most remote and forbidding parts of the globe in search of its most elusive creatures. In one of his latest projects, Schmidt served as cinematographer on Path of the Panther , a feature- length documentary directed by Eric Bendick and produced by Carlton Ward , Jr for National Geographic . The film centers on the Florida panther, a rarely seen creature whose habitat is threatened by the ecological degradation of the Everglades. Capturing imagery of a stealthy and potentially dangerous animal like the Florida panther, requires skill, daring and a specialized toolkit. Over the years, Schmidt has updated his gear with the latest cameras, lighting and other accessories, but one part of his kit has remained consistent, Cartoni’s Focus 22 tripod . “I’ve used cameras from many manufacturers and have packed any number of combinations of lenses and lights, but the Cartoni Focus 22 is the one thing I bring everywhere,” says Schmidt, who used Sony’s Sony FS7 camera for the project. “It stands up to trips around the world, across airports, jungles and deserts. It gets dirty and wet. Whenever I go on the road, I pack that tripod.” On Path of the Panther, Schmidt waded through cypress swamps, often at night, in pursuit of the sleek cat and other native animal species. “You can’t anticipate when you’re going to encounter the wildlife you want to film,” he observes. “I could be shooting a cinema verite moment with our talent, when a bird, an alligator or a bear appears and I have to quickly deploy my tripod, mount the camera and change lenses. The Cartoni Focus 22 is the perfect tripod for those situations. If I strip down the camera, it works. If I’m working with a heavy camera, 19 mil rods, dovetail plates, a big lens, and custom accessories, it holds the weight without a struggle. The flexibility is pretty sweet.” Despite its compact size, Focus 22 has features to accommodate a wide range of accessories and shooting styles. “The whole top plate moves back and forth and can be locked down in any position,” he says. “That’s handy for fine balancing adjustments. It also has a small light that allows me to see the bubble head at night. That might seem like a small thing, but I often find myself shooting into the wee hours because that’s when animals are doing their thing. It’s nice to be able to have light at the push of a button so that I can level the camera and keep moving. Otherwise, I’d have to light it with my phone.” Schmidt, who’s worked for PBS, National Geographic, Netflix, HHMI BioInteractive, NASA, the National Science Foundation and many others, studied environmental science before pursuing a career in documentary films. Projects like Path of the Panther allow him to indulge both his passion for conservation and his love of filmmaking. “The work that we did in Florida had one goal: to preserve its wild areas for future generations,” he says. “The Florida panther needs big swaths of open land to survive. Our hope is that this film with have an impact that will help protect these beautiful animals.” Path of the Panther is currently screening in select theaters in Florida and will soon be available from National Geographic Television and Disney+.

for more info visit www.cartoni.com